Performance in the raw:
some aspects of the ritual
of the Victorian Turkish bath

           

                           

This is a single frame, printer-friendly page taken from

one of the linked parts of an article published on Malcolm Shifrin's website

Victorian Turkish Baths: their origin, development, and gradual decline

        

Original illustrated page with notes and links

                           

             
3: Theatre and performance

There is much theatre in the Turkish bath. Bathers entering Nevilís London establishments are encouraged to exchange reality for the world of the imagination.

This is a TEMPLE OF HEALTH and therefore there is an atmosphere of Peace and Silence, broken only by the soothing sounds of splashing fountains.

You leave the World and its Noise and Bustle behind you. You enter an Atmosphere of Repose. Let the spirit of the place enter your mind.

And the protagonist in Guy Thorneís novel When it was dark sees the London Hammam as providing a necessary scene-change.

The physical warmth, the silence, the dim lights and Oriental decorations induced a supreme sense of comfort and bien Ítre. It brought Constantinople back to him in vague reverie.

Perhaps, he thought, the Hammam in London is the only easy way to obtain a sudden and absolute change of environment. Nothing else brings detachment so readily, is so instinct with change and the unusual.

There is also much of performance in the taking of a Turkish bath.

Gordon Stables, pseudonymous author of the Medicus column on health matters in the Girls own paper, knowingly states in his little book on the Turkish bath that,

Taken simply for enjoyment, a man never fails to cherish the memory of his first bath, as does a maiden that of her first ball.

One of the bathís proselytisers, Stables self-evidently proved his own contention that,

Next to the pleasure of enjoying the Anglo-Turkish bath oneself, in propri‚ person‚, is that of hearing someone dilate on its merits. And few who have ever tried it, will be found unwilling to expatiate freely on the topic of Turkish bathing.

Those who so dilated and expatiated, were not averse to making of the bath a prize for one who had been initiated into its mysteries.

then to the frigidarium, or cool chamber, where, still clothed in warm towels, he sips coffee, smokes a narghilet, and indulges in beatific sensations which only those can know who have passed through the three purgatories of the bath.

It follows that the uninitiated require guidance.

the companionship of a habituť is almost a sine qua non if you want to get the best results. He knows the ropes. You cannot and do not. Be advised by this very practical hint if you are a novice to the Ritual, for such it is.

Explanationóembellishmentóritual.
           

4. The ritual of the towels

                                  

 
 


The original page includes footnotes,
and thumbnail pictures which can be enlarged.
All the enlarged images, listed and linked below, can also be printed.

Bartholomewís Birmingham "Temple of Health"

cooling-room at Nevill's Northumberland Avenue establishment

Hot room at the London Hammam

Gordon Stables

Top of the page
                   

 

All complete pages,
with images, footnotes,
glossary & bibliography,
can be reached from the

Printer-friendly single frame
versions of all text pages
(and from them, all images)
can be reached from the

You can bookmark this page

Home Page

You can print this page

Site map

Victorian Turkish Baths: their origin, development, and gradual decline

Comments and queries are most welcome and can be sent to:

malcolm@victorianturkishbath.org

The right of Malcolm Shifrin to be identified as the author of this work has been asserted by him
in accordance with the Copyright, Designs and Patents Act 1988