Performance in the raw:
some aspects of the ritual
of the Victorian Turkish bath

           

                           

This is a single frame, printer-friendly page taken from

one of the linked parts of an article published on Malcolm Shifrin's website

Victorian Turkish Baths: their origin, development, and gradual decline

        

Original illustrated page with notes and links

                           

            

            
This paper was given at the

British Association for Victorian Studies Conference
on
Victorian performances:
performance and performability
in the culture and society of the nineteenth century

at
Lancaster University on Saturday 8 September 2001
     

1: The stages of the Turkish bath

‘Since not everyone’, wrote Trollope, ‘ has taken a Turkish bath in Jermyn Street we will give the shortest possible description of the position.’—which he then proceeds to do over the next four pages of the short story which opens in David Urquhart’s fashionable London Hammam.

The Hammam was, perhaps, the most important of the more than 600 Victorian Turkish baths which I have so far identified. Barely half a dozen of these baths remain open today, so it is not surprising that there is much confusion as to what a Turkish bath actually is. I hope, therefore, you will forgive my following in Trollope’s footsteps by first indicating what I mean, and what the Victorians meant by the term. And if my description is rather less stylish than his, it will at least be more concise.

The Turkish bath, then, is a type of bath in which the bather sweats, in a room which is heated by hot DRY air, and it is this use of DRY air which distinguishes the Turkish bath from the medicated vapour bath, or the steam baths usually known as Russian baths, which had been available in the British Isles well before 1856.

Its second distinguishing feature is that bathers progress through a series of increasingly hot rooms, usually three, until they sweat profusely, often repeating the process, with possible diversions in the direction of showers or a short dip in the cold plunge pool.

This leisurely perambulation is followed by a massage and full body wash, these last two processes, taken together, being known to Victorians as shampooing.

The final part of the Turkish bath—no less important than anything which precedes it—is a longish period of relaxation in the cooling-room.

So we see, in four sentences, that there are several stages in the taking of a Turkish bath.

‘Stages’ is the word I normally use when describing the bath, but on this occasion, a self-questioning double-take suggested that it might be worth finding out whether the word was used by Victorians in this context and, if so, in what sense.

2. Urquhart's performance


                                  

 
 


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and thumbnail pictures which can be enlarged.
All the enlarged images, listed and linked below, can also be printed.

cooling-room in the London Hammam

Comic postcard

Sweating (Film still)

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Victorian Turkish Baths: their origin, development, and gradual decline

Comments and queries are most welcome and can be sent to:

malcolm@victorianturkishbath.org

The right of Malcolm Shifrin to be identified as the author of this work has been asserted by him
in accordance with the Copyright, Designs and Patents Act 1988